On 29 May 1913, one of the biggest bangs in classical music history took place in the Théâtre des Champs-Élysées in Paris, being the premiere of The Rite of Spring, a ballet by Igor Stravinsky. A combination of the music, stage design, costumes, story and choreography led to a near-riot (or an actual one, depending on whose account you read. In an interview some time later, Stravinsky referred to Vaslav Nijinsky‘s “knocked-kneed and long-braided Lolitas”. There is very little information about the interview, but it is obviously some time later because 1) it was filmed and is now viewable on Youtube, 2) Stravinsky looks considerably advanced in years and 3) he uses the name Lolita in that way, placing the interview after the publication of Vladimir Nabokov’s novel in 1955 (when Stravinsky was 73). (Indeed, the poster of the video suggests the early 1960s.)
A lolita (more often lower-case, but Pages for Mac just upper-cased it), is now an alluring (at least to a certain kind of man) older girl or young teenager. (Nabokov’s narrator specifies the age range nine to 14; he also calls them demoniac, placing the blame on them rather than himself.) Even though The Rite of Spring is about a pagan fertility ritual, it is questionable as to how alluring the dancers were or are, or were or are meant to be.
But the name Lolita goes back further than Nabokov’s novel. Dolores is a good Spanish name (Maria Dolores, Saint Mary of the Sorrows), which became Lola, which became Lolita.Continue reading