During the week I edited an article which quoted a company spokesperson talking about the company’s pizza which included an “Edam, mozzarella and Cheddar” topping. Edam and Cheddar are real places (in the Netherlands and England, respectively), and their cheeses originally had an upper case letter (and often still do). Mozzarella is not a place; the name is derived from the Italianmozza, a slice. So do I really have to have that mix of upper- and lower-case letters? Fortunately not. The Macquarie Dictionary styles edam and cheddar (the cheeses) with a lower-case letter, so the magazine will have “edam, mozzarella and cheddar”.
Various food and drink products have “protected designation of origin” status; for example, only sparkling wine from that region of France can be called (upper case) Champagne. There is, in the European Union, at least, no such thing as (lower case) champagne.Continue reading →
One of the items my local choir is singing is a medley of the American folk songs Shenandoah (which I previously knew) and He’s gone away (which I didn’t). Because of the folk origins of both songs, information about them is confused and confusing. Shenandoah might be the Oneida Iroquois chief (“I love your daughter”) or the river in Virginia and West Virginia (“Away, you rolling river”) or both. On the other hand “Oh Shenandoah, I love your daughter” might just be a poetic way of saying “I love a young woman who lives in the Shenandoah Valley”.
The only information I could find about He’s gone away is that it’s from North Carolina. It contains the line “Look away over Yandro”. Where is Yandro? It probably isn’t. There is a possibility that it’s a local name for a local watercourse or mountain which (the name) didn’t survive, but the consensus of opinion on a discussion site for choral directors is that it’s a local pronunciation of yonder(indeed some versions of the words render it “over Yondro”, which might have originated as “over yondro”). One participant linked to what looks like a personal blog which claims that yandro means “the place we put our hopes and our longings. It is the place of reunions dreamt of fondly. It is the place, wherever it may be, that we meet our hearts”. Yeah, right. That blog is private, so I can’t check its writer’s credentials.Continue reading →
Today was my first day as a sub-editor for a small publishing company which produces business-related magazines. Compared to my English teaching job, it’s full-time, permanent, during the day, closer to where I live* and, possibly most importantly, quiet and self-focused, ideal work for an introvert. (Editors are not only allowed to be introverts, they are possibly expected to be.**) Because this blog is semi-anonymous, I’m not going to tell you the names of the magazines, publisher or location.
Before I became an English language teacher, I worked in two different editorial jobs for about eight years, mostly for one of Australia’s leading legal publishers. I also did some work for them after I returned from South Korea the first time, and an associated part of my English language teaching has been producing materials for my colleagues who teach interpreting and translating. I had applied for a number of jobs, not just in the field of editing but also anything else I thought would be vaguely suitable, and had had (I think) 12 interviews in the last 13 months. One problem was that I am very much a jack-of-all-trades-and-master-of-none, and would lose out to someone who had actually been doing that job for the last up to eleven and a half years. Finally …
I hope to continue this blog, but I might not have so much to write about. But I’ve got a lot left over from English language teaching, my masters study and ideas I’ve collected along the way, so there’ll be more yet.
*In the morning, I left with plenty of time to get there. In the afternoon, I left work at 5.06 and was arrived home at 6.01.
Today is my last day as an English language teacher, after more than eleven and a half years at a language college, provincial government high school and university in South Korea and language colleges in Australia. I am making this move for a wide variety of reasons, related to the ESL sector in general (an Australian student visa requires attendance at classes for 20 hours per week, so most teachers are engaged for 20 hours per week, and there is very little opportunity to advance to a full-time position), the college and colleagues (some classes at some colleges are run as courses – the students start at the same time, do the course, and finish at the same time, but our English classes have been ‘start and finish when you need to’, and I’ve had to share a small office with up to four other people of various degrees of loudness in various languages, as student of various degrees of loudness in various languages come and go), the students (who have different levels of English, life experience and personal and study backgrounds, some of whom attend way less than 20 hours per week, and come and go, use their phone, chat in their own language or sleep when they are there), and myself (basically, dealing with all of the above, and commuting).
Through English language teaching, I’ve lived in South Korea for two periods totalling three and a half years, met my wife, travelled to Hong Kong and Japan, met all kinds of other people in South Korea and Australia, gained my masters degree (and may yet go on to doctoral study), attempted to learn Korean (하지만 아직 잘 못 해요), developed a serious hobby of photography and started this blog. On the other hand, I’ve had to largely give up my other serious hobby of classical choral singing. (I can and will return to that, but it remains to be seen whether I will ever again perform at my peak.) So now it’s time for a change. From tomorrow …
In the last week I have learned, via social media, of the deaths of three older men who I met earlier in my life through my involvement in music in two different cities as I moved around – a cathedral organist/choir director/university lecturer, a pipe organ builder and a stalwart of the local music theatre company. I knew them well enough to remember them and to want to express my condolences, but not well enough to keep in contact with them as I moved around (though I did bump into one on one visit to that city). I left messages on the Facebook pages of their closest family member (two of whom I knew as well or better, and one of whom I only saw around and never actually spoke to, so I explained who I was). One replied briefly and the other two “hearted” my comment
The English phrase Rest in peace is often used in this context. This conveniently shares initials with the Latin phrase Requiescat in pace, but there’s a difference. Requiescat is subjunctive, and is better (and sometimes, maybe often or even usually) translated May (s/he) rest in piece. Rest by itself is imperative, so Rest in peace is Requiesce in pace (singular) or Requiescite in pace (plural). The plural of Requiescat in pace is Requiescant in pace. All of these are derived from the noun requies, which is best known in its accusative form requiem (as in Requiem aeternum dona eis, Domine, Grant them eternal rest, Lord. Requies, in turn, means re + quies, or quiet again.
So, Requiescite in pace David, Peter and Peter, though I’m not sure if “quiet” is an appropriate wish for an organist, organ builder and singer. I like to imagine them getting together somewhere and making a joyful noise.
In fact, rechecking those three Facebook pages, I have just learned of the death a few months ago of another musical acquaintance, so Requiesce in pace Mary as well. I may have to stop reading Facebook.
My mother’s father was fond of wordplay and was an important influence on my love of language. I remember one of the riddles he told me, which is difficult to render in print: A man had twenty-si/kʃ/heep and ten died. How many did he have left? This is impossible to answer correctly. If I interpreted twenty-si/kʃ/heep as twenty-six sheep and answered sixteen, he would say, “No, I said ‘twenty sick sheep’, so he had ten left”. And vice versa.
I was reminded of this a few days ago when a lesson in the textbook included the linking of words in normal speech. One example was first of all, and one student said that it sounded like festival. In isolation, maybe, but not in a sentence like “Festival, I would like to welcome you all here today”.
The pronunciation issues are slightly different but similar enough that I told them the riddle and wrote the two interpretations on the board. Another student thought it was the funniest thing he’d ever heard. In English, at least. I’m sure they have silly puns in that language.
Today is our 10th wedding anniversary. Our wedding was held in a major church in Seoul. Everything was said in Korean and English (my father, sisters and brothers-in-law and all but one niece and nephew travelled and there was a sprinkling of colleagues and people from the English-language congregation of the church). The Korean priest speaks English passably, but the English part of the service was read by a Canadian deacon, who was in Korea as an English teacher. He read the new testament reading in English then Korean, and a friend of my wife read the old testament reading in Korean and English (delightfully mixing up ‘there was everything [viz ‘evening’], and there was morning – the sixth day’). We sang one hymn and said the Lord’s prayer together in both languages.
Afterwards, there was a buffet dinner in the church’s dining room, at which I welcomed people in Korean then English, then about 50 people attended a quieter, more informal reception at a small reception centre near Namsan. I also welcomed people and made a short speech in Korean there, and my wife and I sang a song in Korean.
There was a karaoke machine, which was kept busy. One song listed was Eidelweiss, a ‘Swiss fork song’. This is wrong three times: it’s not a fork song, it’s not even a folk song,* and it’s not Swiss. In the world of the musical/movie, it’s an Austrian song of unexplained origin. At the concert (at least in the movie – I’ve never seen it on stage), Captain von Trapp introduces it as ‘a love song’, and expects the audience to know it and join in. In real life, it was written by the Americans Oscar Hammerstein II and Richard Rodgers. So it’s really an American Broadway musical song.
(*I could write more about the English letters l and r and the Korean letter ㄹ, but I won’t.)
(PS A Swiss fork song might be sung while eating fondue.)