Two of the most popular Christmas hymns are Hark, the herald angels sing and Joy to the world. We sang both on Tuesday morning, which sparked this post.
Hark, the herald angels sing is usually sung to the tune MENDELSSOHN, which is usually credited as, eg, “From a chorus by Felix Mendeslssohn-Bartholdy 1809-47 adapted by William Hayman Cummings 1831-1915” (The Australian Hymn Book). So which work of Mendelssohn is this adapted from? Something pretty obscure. The website Hymnary.org states:
The tune is from the second chorus of Felix Mendelssohn’s Festgesang (Op. 68) for male voices and brass; it was first performed in 1840 at the Gutenberg Festival in Leipzig, a festival celebrating the anniversary of Gutenberg’s invention of the printing press.
I am trying to sell some old furniture through a ‘Buy, Sell, Swap’ group on Facebook. Someone in the group has advertised “furnitures” for sale. In current-day standard English, this is a plain mistake, but it may gain some usage under the influence of second-language learners and speakers. It makes sense, and there’s no doubt what people mean when they say or write it.
The more I investigated, the murkier it got. There’s a group of uncountable nouns which represent a collection of items, or more accurately there’s two groups of uncountable nouns which represent a collection of items. A flock of sheep consists of sheep (rams, ewes and lambs, a limited list), but furniture consists of tables, chairs, couches etc (a potentially unlimited list). Google Ngrams shows that a furniture appears overwhelmingly as a noun modifier of store, factory, manufacturer etc (and that its usage skyrocketed before 1890 and 1910, so I don’t know what people called it before then) and that furnitures is used just often enough for it may not to be a plain mistake. Among other things, it is used with the verbs are and were. Two of the most common collocations are furnitures thereunto and furnitures whatsoever, which suggests that it has a legal usage. Continue reading →
One of the choirs I sing in is rehearsing a setting of Dorothea Mackellar’s poem ‘My country’. On the first few times through, I stumbled on one word, which I then realised was “ragged mountain ranges”, not “rugged mountain ranges” as I vaguely remembered. When I got home, I looked online. Wikipedia has an image of Mackellar’s original notebook, which clearly has ragged. Many sources, printed and digital, have rugged, though. Two rehearsals ago, our accompanist said she’d always thought it was rugged, and at the rehearsal this week, one singer brought a book of Australian poems for school children, which has rugged. The accompanist said there is a recording of Mackellar reciting it, which I found (one of the available videos). She clearly says ragged. Very noticeable is her Sottish-tinged accent* (her grandparents had come to Australia almost 50 years before she was born).Continue reading →
Some years ago (first guess 2001-2003) I bought a CD of this work. The booklet calls Balmont’s translation “more precisely, a re-interpretation” and includes his text transliterated into the Latin/‘English’ alphabet and translated into German, English and French. Whether the unnamed translator was equally free in translating Balmont’s Russian back into English or not, the result is very different from Poe’s original.Continue reading →
Sometimes language chance attracts great discussion — because, like, reasons. Other times it attracts no discussion, and happens seemingly for no reason. A few days ago, I encountered either late in December or in late December, I can’t remember which way round, but that doesn’t affect the point of this post. I wondered whether I should change it to the other way round. I checked Google Ngrams, but before I tell you what that showed, take a moment to think about what you would say or write, and what change has happened in the past 100 years.Continue reading →
Some linguistic explorations get more puzzling the further I pursue them.Today’s lesson was about the pattern NP look(s)/sound(s)/smell(s)/taste(s)/feel(s) ADJ and related patterns. The lesson started with look, with photos of actors in emoting in character. Sound was provided on the textbook’s CD, and I explained smell and taste with examples of food (both) and perfume (smell). I mentioned that we might say You smell beautiful to a loved one, but are unlikely to say You taste beautiful even then.
Except some people do. Google Ngrams shows You taste good/wonderful/salty/sweet/delicious/better, all of which emerged in the 1960s and 70s. You taste better, not surprisingly, leads to You taste better than, but Ngrams gives no result for You taste better than *. I am trying to think how I could end a sentence with those words: maybe Here is a list of things you taste better than. Continue reading →
I am currently wading through many explanations in grammar books and online of countable and uncountable nouns. Many sources have too many examples, many have too few. My challenge is to provide you with a good amount of representative examples, with some rhyme or reason.