Musicians in the English-speaking often use Italian musical terms instead of the English equivalents. Somehow they sound more musical, or maybe we think they are more musical because we usually encounter them in musical contexts. One of these is ritardando, which I’ll explain more in a moment. Some composers, most famously the Australian-American Percy Grainger, preferred or prefer English, specifically Germanic, terms. In Grainger’s case, unfortunately, this was specifically related to his ideas about racial purity.
A few days ago, one of the choirs I sing in sight-read a work by the American composer Leo Sowerby, whose name I knew but whose music I had never encountered. Scattered throughout is retarding, the direct equivalent of ritardando, but still Latinate. Grainger probably used the undoubtedly Germanic slowing. (I don’t know what Sowerby’s motivation in using the term was.)Continue reading