On Sunday a former colleague in Korea posted on Facebook that he was attending a performance of the musical Cats in Seoul. Someone else asked him if it was in English or Korean. He replied that it was in English, without mentioning whether the performers were Korean or foreign. I later discovered that the production is, in fact, Australian.
Translating any poetry is difficult, given the competing requirements of meaning, meter and sound, especially in this case Eliot’s idiosyncratic English and Lloyd Webber’s world-famous music. Despite all that, Catshas been translated – Wikipedia says into more than 20 languages (with citing a source), and the show’s official website says 15 languages. Neither source lists the translations.
One obvious problem with any translation is the words cat and cats, which are so important in the meter of the poems and the rhythm of music. These are not necessarily one syllable in other languages. Taking four major European languages as examples, only French (chat, chats) has monosyllable equivalents, while German (Katze, Katzen), Italian (gatto, gatti) and Spanish (gato, gatos) have bisyllabic ones. The situation is even worse in Korean, where cat is 고양이 (go-yang-i) and cats is either 고양이 or 고양이들 (go-yang-i-deul – the plural marker is optional and usually omitted). So 고양이들 has as many syllables as ‘Jellicle cats’. (Google Translate translates ‘Jellicle songs for Jellicle cats’ (9 syllables) as ‘젤리 클 고양이의 젤리 클 노래’ (12 syllables).
From what I’ve found on this internet, all the publicity for this production in Seoul uses the English word Cats. I also found another production called Original 어린이 캣’s (Original children cat’s) which played in Seoul from late 2016 to mid-2017 (I saw posters for this in Daejeon before I left there in August 2016).
I’ve got more to say about this, but I need to do more research.